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home·artworks·Samaritana
Samaritana by Julio Romero de Torres

plate no. 6906

Samaritana

Julio Romero de Torres, 1920

oilSymbolismreligious paintingfigureswomanmanpotlandscapereligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, figure drawing, and creating subtle gradations of color to model form. It also provides practice in rendering metallic surfaces and drapery.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of figures and the pot.

  2. step 02

    Establish the background with thin washes of color, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures, paying attention to the overall values.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle shading.

  5. step 05

    Develop the drapery, using soft blending to create folds and highlights.

  6. step 06

    Render the metallic pot, using highlights and shadows to create a sense of volume and shine.

  7. step 07

    Add details such as jewelry, hair, and subtle textures.

  8. step 08

    Make final adjustments to values and colors to create a harmonious and balanced composition.

color palette

primary · titanium white · raw umber · yellow ochre · ultramarine blue

secondary · burnt sienna · alizarin crimson · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of burnt sienna or alizarin crimson. Use ultramarine blue and raw umber to create muted grays and blues for the background and clothing. Mix ivory black with ultramarine blue for the darks.

techniques

  • ·portraiture
  • ·figure drawing
  • ·glazing
  • ·blending
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details before establishing the overall values.
  • →Using colors that are too saturated or bright.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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