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home·artworks·Saleve in autumn
Saleve in autumn by Ferdinand Hodler

plate no. 1436

Saleve in autumn

Ferdinand Hodler, 1891

oil, canvasSymbolismlandscapemountainwatertreesskylandscapereflection
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the movement of water with expressive brushstrokes. Students will also learn how to simplify complex landscapes into basic shapes and forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountain and water.

  2. step 02

    Block in the large areas of color: the sky, mountain, water, and foreground.

  3. step 03

    Begin layering colors on the mountain, using reds, oranges, and yellows to create the autumn foliage.

  4. step 04

    Add details to the mountain, such as the rocky cliffs and shadows.

  5. step 05

    Work on the water, using blues, greens, and purples to create the reflections and movement.

  6. step 06

    Add highlights to the water to simulate the sunlight.

  7. step 07

    Refine the details of the trees and foreground.

  8. step 08

    Add final touches and adjustments to the colors and values.

color palette

primary · cerulean blue · cadmium red · yellow ochre · titanium white

secondary · viridian green · ultramarine blue · burnt sienna

Mix greens by combining blues and yellows. Achieve the mountain's reddish hues by mixing red with yellow ochre and a touch of burnt sienna. Use white to lighten colors and create highlights.

techniques

  • ·layering
  • ·dry brush
  • ·scumbling
  • ·broken color
  • ·color mixing

common pitfalls

  • →Overblending the colors, which can result in a muddy effect.
  • →Not paying attention to the values, which can flatten the image.
  • →Getting lost in the details too early, before establishing the basic shapes and colors.
  • →Using too much paint, which can make the painting look heavy.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (#2, #6, #8)
  • ·flat brushes (#4, #10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the colors and create depth.

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oil painting for beginners →how to learn by studying the masters →
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