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home·artworks·Saints Augustine and Monica
Saints Augustine and Monica by Ary Scheffer

plate no. 3584

Saints Augustine and Monica

Ary Scheffer, 1854

oilNeoclassicismreligious paintingfiguresreligiousrobesskyoceanportrait
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and subtle color blending to create soft transitions and atmospheric perspective. It also offers practice in capturing nuanced facial expressions and conveying a sense of serenity.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main color areas: sky, ocean, robes, and skin tones.

  3. step 03

    Begin refining the sky and ocean, blending colors to create a smooth gradient.

  4. step 04

    Develop the drapery of the robes, paying attention to the folds and highlights.

  5. step 05

    Carefully render the faces, focusing on accurate proportions and subtle shading.

  6. step 06

    Add details to the hands and other features, refining the overall form.

  7. step 07

    Adjust the values and colors to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ultramarine blue

secondary · cadmium red light · yellow ochre

Achieve skin tones by mixing white, raw umber, and a touch of cadmium red light. Create the sky by blending white and ultramarine blue, adding a touch of raw umber for muted tones. Mix browns by combining burnt sienna, raw umber, and ultramarine blue.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking the blending, resulting in a muddy appearance.
  • →Inaccurate proportions in the figures.
  • →Ignoring the subtle color variations in the drapery.
  • →Failing to capture the delicate facial expressions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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