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home·artworks·Saint Veronica of Binasco
Saint Veronica of Binasco by François-Joseph Navez

plate no. 9791

Saint Veronica of Binasco

François-Joseph Navez, 1816

oilNeoclassicismreligious paintingfiguresreligious scenecrown of thornsclothinghandssorrow
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing realistic skin tones and emotional expressions, as well as understanding chiaroscuro and creating depth through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on accurate proportions and placement of figures.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures with muted tones, paying attention to the light source.

  4. step 04

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the details of the clothing, focusing on the folds and textures.

  6. step 06

    Paint the crown of thorns, paying attention to the intricate details and shadows.

  7. step 07

    Refine the facial features, focusing on capturing the emotional expressions.

  8. step 08

    Add final highlights and details to create depth and realism.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · viridian green · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Use viridian green and ultramarine blue to create the darker greens and blues for clothing and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·blending

common pitfalls

  • →over-blending and losing form
  • →inaccurate proportions in the initial sketch
  • →failing to capture the emotional expressions
  • →uneven skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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