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home·artworks·Saint Sergius' labours (left part of the triptych)
Saint Sergius' labours (left part of the triptych) by Mikhaïl Nesterov

plate no. 8351

Saint Sergius' labours (left part of the triptych)

Mikhaïl Nesterov, 1896

oilSymbolismreligious paintingfigurelandscapebucketsrobehalotrees
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and understanding atmospheric perspective. It also provides practice in depicting textures of fabric and wood using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the figure's placement and the landscape's perspective.

  2. step 02

    Block in the main colors of the background, starting with the sky and distant hills, using thin washes.

  3. step 03

    Establish the local colors of the figure's robe, cloak, and buckets, paying attention to the light and shadow.

  4. step 04

    Develop the details of the figure's face and hands, using subtle color variations and soft blending.

  5. step 05

    Add texture to the landscape with short, broken brushstrokes, varying the colors and values to create depth.

  6. step 06

    Refine the details of the figure's clothing and the buckets, adding highlights and shadows to create form.

  7. step 07

    Paint the halo around the figure's head with a soft, diffused glow.

  8. step 08

    Add final touches, such as small details in the foreground and subtle atmospheric effects in the background.

color palette

primary · viridian green · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ivory black

Achieve the muted greens by mixing viridian green with yellow ochre and a touch of burnt umber. Create the atmospheric blues by layering ultramarine blue with white and a hint of violet.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear sense of depth in the landscape.
  • →Incorrectly rendering the figure's proportions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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