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home·artworks·Saint Louis, Roi De France, Remettant La Regence a Sa Mere Blanche De Castille
Saint Louis, Roi De France, Remettant La Regence a Sa Mere Blanche De Castille by Joseph-Marie Vien

plate no. 8540

Saint Louis, Roi De France, Remettant La Regence a Sa Mere Blanche De Castille

Joseph-Marie Vien

oilNeoclassicismhistory paintingfiguresclothinginteriorhistorical sceneregalthrone
experienced study

Recreating this painting will help students develop skills in rendering drapery, capturing realistic skin tones, and understanding compositional arrangement in a multi-figure scene. It also offers practice in depicting textures and patterns on fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Begin building up the values and details of the faces, focusing on accurate skin tones.

  4. step 04

    Develop the drapery folds and highlights in the clothing, paying attention to the way light interacts with the fabric.

  5. step 05

    Add the details of the patterns and textures on the fabrics, using fine brushes.

  6. step 06

    Refine the overall composition and values, ensuring a harmonious balance.

  7. step 07

    Add final highlights and details to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · viridian green · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, and cadmium red, with small amounts of burnt umber for shadows. Create the blue fabrics by mixing ultramarine blue with titanium white and a touch of ivory black for darker areas.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Muddying the colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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oil painting for beginners →how to learn by studying the masters →
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