apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint Francis in the Woods
Saint Francis in the Woods by Albert Bloch

plate no. 0830

Saint Francis in the Woods

Albert Bloch, 1927

oil, canvasSymbolismreligious paintingfiguresanimalstreeslandscapereligiousforest
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and animals.

  2. step 02

    Establish the overall warm color tone with a thin wash of burnt sienna or raw umber.

  3. step 03

    Block in the main shapes of the figures, animals, and landscape elements using simplified forms.

  4. step 04

    Begin layering colors, gradually building up the values and adding subtle variations.

  5. step 05

    Pay attention to the light source and create highlights and shadows accordingly.

  6. step 06

    Add details to the faces, clothing, and animal features.

  7. step 07

    Refine the background elements, such as trees and foliage, using soft blending techniques.

  8. step 08

    Add final touches and highlights to create a sense of depth and atmosphere.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · raw sienna · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use thin washes of color to build up depth.

techniques

  • ·layering
  • ·glazing
  • ·soft blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Creating harsh lines or edges
  • →Using colors that are too saturated
  • →Losing the overall warm tone

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, burnt sienna, titanium white, yellow ochre, cadmium red light)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss

Use a canvas with a smooth surface to facilitate blending. Consider using a toned canvas to establish the warm undertones.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull