apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sadness
Sadness by Carlos Schwabe

plate no. 2769

Sadness

Carlos Schwabe, 1893

oil, canvasSymbolismsymbolic paintingfigurearchitectureflowersgardenpathwaywindows
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for muted tones, and rendering textures with subtle brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the central figure and the converging lines of the architecture.

  2. step 02

    Establish the overall color scheme with a thin wash of muted blues and browns.

  3. step 03

    Block in the main shapes of the figure, buildings, and foliage, paying attention to their relative values.

  4. step 04

    Begin layering colors to create depth and atmosphere, using soft blending techniques.

  5. step 05

    Add details to the windows and flowers, using small brushstrokes to suggest texture.

  6. step 06

    Refine the figure's form and features, paying attention to the subtle gradations of light and shadow.

  7. step 07

    Create the illusion of hanging vines with thin, vertical lines.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · alizarin crimson

Achieve the muted tones by mixing complementary colors and adding white. Use ultramarine blue and raw umber as a base for many of the colors, adjusting the ratios to create subtle variations.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·soft blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear focal point.
  • →Ignoring the subtle gradations of value that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·linseed oil
  • ·#4 round brush

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use a fine-weave canvas to allow for smooth blending and subtle details. Consider using a slightly toned canvas to create a more muted effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull