apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·São Mateus Evangelista
São Mateus Evangelista by Nicolas Antoine Taunay

plate no. 6008

São Mateus Evangelista

Nicolas Antoine Taunay

oil, canvasNeoclassicismreligious paintingangelfiguretreeslandscapeskyreligious
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and using loose brushwork to create texture and form. Students will also learn to create depth through atmospheric perspective and value contrast.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and trees.

  2. step 02

    Block in the main areas of color: sky, foliage, figures, and ground.

  3. step 03

    Establish the light source and begin to build up values, focusing on the contrast between light and shadow.

  4. step 04

    Develop the details of the figures, paying attention to anatomy and drapery.

  5. step 05

    Refine the foliage, using broken brushstrokes to create texture and depth.

  6. step 06

    Add highlights and shadows to create a sense of form and volume.

  7. step 07

    Glaze thin layers of color to unify the painting and create atmospheric effects.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix various shades of brown and green by combining raw umber, yellow ochre, and ultramarine blue. Use titanium white to lighten colors and create highlights. Mix cadmium red light with white and raw umber for the figure's skin tones.

techniques

  • ·Impasto
  • ·Scumbling
  • ·Glazing
  • ·Broken color
  • ·Dry brushing

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not creating enough depth in the landscape.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, titanium white, cadmium red light, ultramarine blue, yellow ochre, burnt sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs