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home·artworks·São Lucas Evangelista
São Lucas Evangelista by Nicolas Antoine Taunay

plate no. 3021

São Lucas Evangelista

Nicolas Antoine Taunay

oil, canvasNeoclassicismreligious paintinglandscapetreesfigurecowskyreligious
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for natural tones, and creating depth through atmospheric perspective. It also provides practice in depicting figures and animals in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, cow, and trees.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the trees and foliage using dark greens and browns.

  4. step 04

    Add the figure and cow, focusing on their basic forms and proportions.

  5. step 05

    Begin layering colors to create depth and dimension in the trees and foliage.

  6. step 06

    Refine the details of the figure and cow, adding highlights and shadows.

  7. step 07

    Add final details such as branches, leaves, and textures with visible brushstrokes.

  8. step 08

    Adjust the overall color balance and value contrast to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · sap green · raw sienna

Achieve the earthy tones by mixing burnt umber, yellow ochre, and white. Create greens by mixing ultramarine blue and yellow ochre, and adjust with burnt umber for darker shades.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring atmospheric perspective and creating a flat, unrealistic landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·painting medium

Use a medium-textured canvas to enhance the brushwork. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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