apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·São João Evangelista
São João Evangelista by Nicolas Antoine Taunay

plate no. 6164

São João Evangelista

Nicolas Antoine Taunay

oil, canvasNeoclassicismreligious paintingfigurelandscaperockstreesbuildingreligious
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to define form and texture. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, rocks, and background elements.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt umber and raw sienna.

  3. step 03

    Block in the main areas of light and shadow on the rocks and figure.

  4. step 04

    Begin layering colors on the rocks, using a combination of warm and cool tones to create depth.

  5. step 05

    Develop the figure, paying attention to the folds of the clothing and the expression on the face.

  6. step 06

    Add details to the background, including the trees, buildings, and sky.

  7. step 07

    Refine the highlights and shadows throughout the painting.

  8. step 08

    Add final details and adjust the overall color balance.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use ultramarine blue and ivory black to create cooler shadows.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overblending, which can flatten the image.
  • →Ignoring the subtle color variations in the rocks and foliage.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas to allow for good paint adhesion and texture.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs