
plate no. 6164
Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to define form and texture. It also provides practice in depicting figures within a landscape setting.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, rocks, and background elements.
Establish the overall color scheme with a thin wash of burnt umber and raw sienna.
Block in the main areas of light and shadow on the rocks and figure.
Begin layering colors on the rocks, using a combination of warm and cool tones to create depth.
Develop the figure, paying attention to the folds of the clothing and the expression on the face.
Add details to the background, including the trees, buildings, and sky.
Refine the highlights and shadows throughout the painting.
Add final details and adjust the overall color balance.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ultramarine blue · yellow ochre · ivory black
Achieve the warm, earthy tones by mixing burnt umber and raw sienna with varying amounts of white. Use ultramarine blue and ivory black to create cooler shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas to allow for good paint adhesion and texture.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs