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home·artworks·Ruins of one of the chambers` soldiers at one of the leading factories in Hadrian`s Villa in Tivoli His
Ruins of one of the chambers` soldiers at one of the leading factories in Hadrian`s Villa in Tivoli His by Giovanni Battista Piranesi

plate no. 8385

Ruins of one of the chambers` soldiers at one of the leading factories in Hadrian`s Villa in Tivoli His

Giovanni Battista Piranesi

oilNeoclassicismcityscaperuinsarchitecturefigureslandscapearchestrees
experienced study

This painting offers practice in creating depth through value and linear perspective. Recreating it will help students understand how to render complex textures and details using a limited palette.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural forms and the horizon line.

  2. step 02

    Establish the darkest areas of the composition, focusing on the shadows within the ruins.

  3. step 03

    Gradually build up the mid-tones, paying attention to the direction of light.

  4. step 04

    Add details to the architectural elements, such as the texture of the stone and the shapes of the arches.

  5. step 05

    Render the figures in the foreground, using simple shapes and values.

  6. step 06

    Create the atmospheric perspective by lightening the values of the distant elements.

  7. step 07

    Add the foliage and trees, using varied strokes to suggest texture.

  8. step 08

    Refine the details and adjust the values to create a cohesive and balanced composition.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Use varying ratios of black and white to create a full range of grays. Add small amounts of raw umber or payne's gray to create warmer or cooler tones.

techniques

  • ·hatching
  • ·cross-hatching
  • ·scumbling
  • ·dry brushing
  • ·value shading

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Creating overly uniform textures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a smooth canvas to allow for detailed rendering. Consider using a toned ground to simplify the value structure.

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