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home·artworks·Ruins in the moonlit landscape
Ruins in the moonlit landscape by Arnold Böcklin

plate no. 3555

Ruins in the moonlit landscape

Arnold Böcklin, 1849

oil, canvasSymbolismlandscaperuinslandscapemoonlightcloudsfiguretrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth using value and color temperature. It also provides practice in painting convincing textures for stone and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ruins and the horizon line.

  2. step 02

    Establish the dark background of the sky and trees using a dark blue/purple mix.

  3. step 03

    Block in the general shapes of the clouds, paying attention to their form and direction of light.

  4. step 04

    Begin to define the ruins with a light gray/beige mix, indicating the areas where the moonlight hits.

  5. step 05

    Add details to the ruins, such as cracks, textures, and the shapes of the windows.

  6. step 06

    Paint the foreground, using darker greens and browns to create depth and shadow.

  7. step 07

    Add the figure on horseback as a dark silhouette.

  8. step 08

    Refine the highlights and shadows throughout the painting to create a sense of atmosphere and drama.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red

Mix dark blues and purples for the sky, using white to lighten the clouds. Create a range of grays and beiges for the ruins by mixing white, umber, and a touch of yellow ochre. Use glazes of umber and red to create depth in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·silhouette

common pitfalls

  • →Overworking the details in the ruins, losing the overall sense of atmosphere.
  • →Making the foreground too bright, which will flatten the perspective.
  • →Not paying attention to the direction of light, resulting in inconsistent shadows.
  • →Using colors that are too saturated, which will detract from the moody atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·linseed oil
  • ·round brushes size 2, 4, 6

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a toned canvas (e.g., with a thin wash of burnt umber) to establish a base tone.

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oil painting for beginners →how to learn by studying the masters →
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