
plate no. 5113
Anton Raphael Mengs, 1758
This painting provides an opportunity to practice portraiture, including rendering realistic skin tones and drapery. Students can also learn about creating subtle gradations in value to suggest form.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Establish the background with a thin wash of neutral tones.
Block in the main shapes of the figure, including the face, clothing, and hands.
Begin refining the skin tones, paying attention to highlights and shadows.
Develop the details of the clothing, including the folds and textures of the fabric.
Add the gold trim and lace details.
Refine the background and add any final details.
Add final glazes to unify the painting.
color palette
primary · ivory black · raw umber · burnt sienna · yellow ochre
secondary · cadmium red · viridian · gold
Achieve skin tones by mixing yellow ochre, burnt sienna, and titanium white, with small amounts of red for warmth. Create the green jacket by mixing viridian with yellow ochre and a touch of black.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for painting.
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