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Reveries by Maxfield Parrish

plate no. 0349

Reveries

Maxfield Parrish, 1926

oilSymbolismgenre paintinggardenfiguresfountaintreesflowerslandscape
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as accurately rendering figures in a landscape setting. It also provides practice in capturing subtle light and shadow variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, fountain, and major landscape elements.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color, starting with the darkest tones.

  3. step 03

    Begin layering colors to build up the forms and create depth, paying attention to the light source.

  4. step 04

    Refine the details of the figures, including their clothing and facial features.

  5. step 05

    Add details to the foliage and flowers, using a variety of brushstrokes to create texture.

  6. step 06

    Adjust the values and colors to create a sense of atmosphere and depth.

  7. step 07

    Add final highlights and shadows to enhance the realism of the painting.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · alizarin crimson · cadmium yellow

Achieve the luminous quality by layering thin glazes of color. Mix greens by blending blues and yellows, and create subtle variations in skin tones by mixing white, ochre, and a touch of red.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·color blending
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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