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Reverie by Giovanni Costa

plate no. 4576

Reverie

Giovanni Costa

oil, canvasNaturalismportraitfigureportraitdresschairflowersribbon
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing likeness, as well as painting fabric and drapery with subtle highlights and shadows. It also provides practice in creating a sense of depth and atmosphere through soft edges and tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, chair, and major shapes.

  2. step 02

    Block in the background with thin washes of color, paying attention to the subtle patterns.

  3. step 03

    Establish the basic skin tones and hair color, focusing on the light and shadow areas.

  4. step 04

    Begin layering the dress, using thin glazes to build up the highlights and shadows.

  5. step 05

    Paint the blue ribbon, capturing its folds and highlights.

  6. step 06

    Add the details of the chair, including the gold accents.

  7. step 07

    Paint the flowers, focusing on their individual shapes and colors.

  8. step 08

    Refine the details and adjust the values to create a cohesive and realistic image.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · ultramarine blue · cadmium red light · sap green

Mix skin tones using white, yellow ochre, burnt umber, and a touch of alizarin crimson. Create the dress color by mixing white with small amounts of yellow ochre and burnt umber. Achieve the blue ribbon color by mixing ultramarine blue with white and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·color mixing

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in the fabric.
  • →Ignoring the importance of soft edges and atmospheric perspective.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, yellow ochre, burnt umber, alizarin crimson, ultramarine blue, cadmium red light, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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