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home·artworks·Reverend Thomas Kerrich
Reverend Thomas Kerrich by Pompeo Batoni

plate no. 9406

Reverend Thomas Kerrich

Pompeo Batoni

oil, canvasNeoclassicismportraitportraitfigureclothingfurletterbackground
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for skin tones and rendering textures like fur and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Block in the background with a dark, muted color, establishing the overall value structure.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the clothing, focusing on the folds and drapery to create a sense of volume.

  5. step 05

    Carefully render the fur collar, using short, broken brushstrokes to simulate the texture.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, paying close attention to the subtle variations in color and value.

  7. step 07

    Paint the letter in the hand, suggesting the texture of the paper and the faint writing.

  8. step 08

    Refine the overall composition, adjusting values and adding finishing touches to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · raw umber · ultramarine blue

secondary · yellow ochre · burnt sienna · cadmium red light

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red and blue. Achieve the dark background by mixing black, umber, and blue. The fur is created with various mixtures of white, umber, sienna, and yellow ochre.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fur texture

common pitfalls

  • →Incorrect proportions of the figure, leading to an inaccurate likeness.
  • →Overblending the skin tones, resulting in a flat and lifeless appearance.
  • →Failing to capture the subtle variations in color and value, making the portrait look unrealistic.
  • →Neglecting the details of the clothing and fur, which can detract from the overall realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for beginners.

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related guides

oil painting for beginners →how to learn by studying the masters →
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