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home·artworks·Retrat De La Filla De L'artista
Retrat De La Filla De L'artista by Joan Brull

plate no. 6735

Retrat De La Filla De L'artista

Joan Brull, 1900

oilSymbolismportraitportraitchilddollfigurehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and using subtle color variations to create form. It also provides practice in loose, expressive brushwork and creating a soft, atmospheric background.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the girl and the doll using a light pencil.

  2. step 02

    Block in the background with a dark, muted color, focusing on creating a soft, blurry effect.

  3. step 03

    Establish the main skin tones of the face and hands, paying attention to the subtle shifts in color and value.

  4. step 04

    Paint the hair, using loose brushstrokes to suggest texture and movement.

  5. step 05

    Block in the clothing with the dominant gray-blue color, adding shadows and highlights to create form.

  6. step 06

    Paint the doll, using a variety of light and warm colors to capture its delicate features.

  7. step 07

    Refine the details of the face, focusing on the eyes, nose, and mouth.

  8. step 08

    Add final touches and highlights to the entire painting, ensuring a cohesive and harmonious composition.

color palette

primary · titanium white · ivory black · raw umber · burnt sienna

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix various shades of gray and brown by combining black, white, and umber. Achieve skin tones by mixing white, sienna, and small amounts of red and yellow. Use blue and white to create the gray-blue of the clothing.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Using too much detail in the background, which can distract from the main subject.
  • →Failing to capture the subtle color variations in the skin tones, resulting in a flat or lifeless appearance.
  • →Getting the proportions wrong, especially in the face.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ivory black, raw umber, burnt sienna, cadmium yellow, alizarin crimson, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a canvas with a smooth surface for easier blending. Consider using a medium to improve the flow and drying time of the oil paints.

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