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home·artworks·Remains of columns making up the side porches of the Temple in the cell above
Remains of columns making up the side porches of the Temple in the cell above by Giovanni Battista Piranesi

plate no. 0253

Remains of columns making up the side porches of the Temple in the cell above

Giovanni Battista Piranesi

oilNeoclassicismcityscapecolumnsruinsarchitecturefigureslandscapetemple
experienced study

Recreating this image will help students understand perspective, shading, and creating depth using value. It also provides practice in rendering architectural details and figures within a landscape.

technical profile

palette complexity
1
brushwork visibility
1
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch, focusing on the perspective lines and the placement of the major architectural elements.

  2. step 02

    Establish the horizon line and vanishing points.

  3. step 03

    Block in the main shapes of the columns and ruins, paying attention to their relative sizes and positions.

  4. step 04

    Add details to the columns, including the fluting and capitals.

  5. step 05

    Start shading the image, using darker values for areas in shadow and lighter values for areas in light.

  6. step 06

    Add the figures and other details, such as the plants and trees.

  7. step 07

    Refine the shading and details, paying attention to the overall composition and balance.

  8. step 08

    Add final highlights and details to create a sense of depth and realism.

color palette

primary · black · white · gray

secondary ·

Varying shades of gray are achieved by mixing black and white in different proportions.

techniques

  • ·hatching
  • ·cross-hatching
  • ·linear perspective
  • ·value shading
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective can flatten the image.
  • →Overworking the details can make the image look cluttered.
  • →Insufficient contrast can make the image look flat and lifeless.

materials

surface · smooth drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·drawing paper
  • ·eraser
  • ·ruler
  • ·perspective tools

optional

  • ·tortillon
  • ·kneaded eraser
  • ·fine liner pens

Use a variety of pencil grades to achieve a full range of values. A smooth paper will allow for smoother shading.

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oil painting for beginners →how to learn by studying the masters →
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