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home·artworks·Purification After Childbirth
Purification After Childbirth by Harriet Backer

plate no. 7089

Purification After Childbirth

Harriet Backer, 1892

oil, canvasNaturalismgenre paintinginteriorfigureschurchwindowtableclothing
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow within an interior space, as well as capturing the essence of figures with loose brushwork. It also provides practice in creating a muted, harmonious color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and key architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the large areas of color, such as the walls, floor, and clothing, using a limited palette.

  4. step 04

    Refine the shapes of the figures and add details to their clothing and faces.

  5. step 05

    Develop the light and shadow patterns, paying attention to the direction of the light source.

  6. step 06

    Add highlights and details to the architectural elements, such as the window and table.

  7. step 07

    Use broken brushstrokes to create texture and visual interest in the walls and floor.

  8. step 08

    Glaze with thin washes to unify the color palette and create depth.

color palette

primary · yellow ochre · burnt umber · ivory black

secondary · raw sienna · titanium white · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of blue. Use thin glazes of raw sienna or burnt umber to warm up the colors.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·limited palette
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Creating colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, ivory black, raw sienna, titanium white, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

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