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home·artworks·Princess Charlotte of Belgium
Princess Charlotte of Belgium by Franz Xaver Winterhalter

plate no. 0919

Princess Charlotte of Belgium

Franz Xaver Winterhalter, 1842

oil, canvasNeoclassicismportraitportraitfiguredressflowersbowchild
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as the ability to depict fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the background with a thin layer of dark brown and gradually build up the highlights.

  3. step 03

    Establish the basic skin tones using a limited palette of white, yellow ochre, and red.

  4. step 04

    Begin layering and blending the skin tones to create smooth transitions and subtle variations.

  5. step 05

    Paint the dress, focusing on capturing the folds and highlights with varying shades of white and gray.

  6. step 06

    Add the details of the flowers and bow, paying attention to their colors and textures.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · alizarin crimson · sap green

Mix skin tones by combining white, yellow ochre, and a touch of red. Use ultramarine blue and white to create the blue of the bow. Use alizarin crimson and white for the pink flowers.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·layering
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones
  • →Overly harsh blending
  • →Lack of attention to detail in the fabric folds

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (titanium white, yellow ochre, burnt umber, cadmium red, ultramarine blue, alizarin crimson, sap green)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for painting.

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