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home·artworks·Study of a Girl in Profile
Study of a Girl in Profile by Franz Xaver Winterhalter

plate no. 9318

Study of a Girl in Profile

Franz Xaver Winterhalter, 1862

oilRomanticismsketch and studyportraitfigurewomanprofilehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing subtle skin tones and rendering realistic hair. It also provides practice in creating soft transitions and edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Begin building up the skin tones using layers of subtle color variations.

  4. step 04

    Define the features of the face, paying close attention to the shape of the eyes, nose, and mouth.

  5. step 05

    Work on the hair, using a variety of brushstrokes to create texture and volume.

  6. step 06

    Add details to the clothing and background, maintaining soft edges.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · raw sienna

Skin tones are achieved by mixing white, red, yellow ochre, and small amounts of umber. Hair is a mix of black, umber, and a touch of white for highlights. The background is primarily umber with subtle variations.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in value and color.
  • →Making the hair look flat and lifeless.
  • →Incorrect proportions of the face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint

Use high-quality oil paints for best results. A smooth canvas surface is recommended for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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