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home·artworks·Portrait of Theo Neuhuys
Portrait of Theo Neuhuys by Jan Toorop

plate no. 9784

Portrait of Theo Neuhuys

Jan Toorop, 1919

oilSymbolismportraitportraitmanfigureclothingfacial hair
some experience helpful

Recreating this painting will help students develop skills in tonal value control and portrait proportions. It also provides practice in rendering textures like hair and fabric with limited color variation.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light and shadow areas using a diluted wash of burnt umber or similar monochrome color.

  3. step 03

    Gradually build up darker values in the hair, beard, and clothing, paying attention to the direction of light.

  4. step 04

    Refine the facial features, focusing on accurate placement and subtle shading to create form.

  5. step 05

    Add details to the clothing, such as the collar, tie, and lapel, using darker values to define their shapes.

  6. step 06

    Soften edges and blend tones where necessary to create a smooth transition between light and shadow.

  7. step 07

    Add highlights to the hair and face to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values are balanced and the proportions are accurate.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black

Achieve the various shades by mixing burnt umber with white for lighter tones and adding small amounts of black for deeper shadows. Use raw sienna to slightly warm the midtones.

techniques

  • ·tonal shading
  • ·blending
  • ·portrait proportions
  • ·hatching
  • ·scumbling

common pitfalls

  • →Incorrect proportions of facial features
  • →Overly harsh or undefined shadows
  • →Lack of subtle value transitions
  • →Ignoring the direction of light

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (lightly washed with burnt umber) can be helpful for establishing initial values.

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oil painting for beginners →how to learn by studying the masters →
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