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home·artworks·Portrait of the Young Teodoro Taunay
Portrait of the Young Teodoro Taunay by Nicolas Antoine Taunay

plate no. 2108

Portrait of the Young Teodoro Taunay

Nicolas Antoine Taunay

oil, canvasNeoclassicismportraitportraitfiguremaleclothingfacehair
some experience helpful

Recreating this painting will help students understand value relationships in portraiture and how to create form with subtle shifts in tone. It also provides practice in capturing likeness and creating a focal point through contrast.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and placement of the figure on the canvas.

  2. step 02

    Block in the background with a dark, neutral color, establishing the overall value range.

  3. step 03

    Establish the main light and shadow shapes on the face, using a limited palette of earth tones and white.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Paint the clothing, focusing on the highlights and shadows to create form.

  6. step 06

    Soften edges and blend transitions to create a sense of atmosphere.

  7. step 07

    Add final details, such as highlights in the eyes and subtle variations in skin tone.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt sienna · alizarin crimson

Mix various shades of gray and brown by combining black, umber, and white. Add small amounts of yellow ochre or burnt sienna to warm the skin tones. Use alizarin crimson sparingly for lips and cheeks.

techniques

  • ·grisaille underpainting
  • ·value studies
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh edges and transitions.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the subtle tonal harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·alizarin crimson oil paint

Use a smooth canvas for easier blending. Consider toning the canvas with a thin wash of raw umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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