
plate no. 3730
Pompeo Batoni, 1770
Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating subtle gradations of light and shadow to create form.
technical profile
approach — 8 steps
Create a light sketch of the figure's proportions and pose on the canvas.
Block in the main areas of color: background, skin tones, clothing.
Begin refining the skin tones, paying attention to highlights and shadows.
Work on the red coat, layering colors to create depth and texture.
Add details to the white shirt and lace, using thin washes of color.
Paint the gold trim on the coat, using a fine brush.
Refine the features of the face, including the eyes, nose, and mouth.
Add final details, such as the letter in the hand and any stray hairs.
color palette
primary · cadmium red · titanium white · ivory black · yellow ochre
secondary · burnt umber · raw sienna · ultramarine blue
Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. The red coat is built up with layers of cadmium red and touches of burnt umber for shadows. The background is a mix of black and umber with subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.
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