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home·artworks·Portrait of Rutger Jan Schimmelpenninck and his Family
Portrait of Rutger Jan Schimmelpenninck and his Family by Pierre-Paul Prud'hon

plate no. 6251

Portrait of Rutger Jan Schimmelpenninck and his Family

Pierre-Paul Prud'hon, 1801

oil, canvasNeoclassicismportraitfigureslandscapetreesfamilyportraitclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric, as well as creating atmospheric perspective in a landscape setting. Students will also learn to mix subtle color variations to create realistic skin tones and clothing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures.

  2. step 02

    Block in the main shapes and values of the background landscape, focusing on atmospheric perspective.

  3. step 03

    Establish the basic skin tones and clothing colors for each figure.

  4. step 04

    Refine the facial features and details of the figures, paying close attention to light and shadow.

  5. step 05

    Develop the details of the clothing, including folds and textures.

  6. step 06

    Add details to the landscape, such as leaves, branches, and ground cover.

  7. step 07

    Refine the overall composition and adjust values as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre or cadmium red light to warm up the skin tones. Use ultramarine blue to create cooler shadows in the landscape.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for this painting.

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oil painting for beginners →how to learn by studying the masters →
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