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home·artworks·Portrait of Pyotr I. Ivelich
Portrait of Pyotr I. Ivelich by George Dawe

plate no. 9147

Portrait of Pyotr I. Ivelich

George Dawe, 1825

oilNeoclassicismportraitportraitfiguremilitaryclothinggolduniform
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting textures of fabric and embellishments. It will also improve their understanding of light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the head, shoulders, and overall pose.

  2. step 02

    Establish the background with a thin wash of muted colors, focusing on the light source.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing, using a limited palette.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows to create a sense of depth.

  5. step 05

    Add details to the uniform, including the gold embellishments, medals, and fabric folds.

  6. step 06

    Develop the hair texture with short, controlled brushstrokes, varying the tones to create depth.

  7. step 07

    Adjust the overall values and colors to create a harmonious composition.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · yellow ochre · burnt sienna

secondary · cadmium red light · ultramarine blue · titanium white

Mix skin tones by blending yellow ochre, burnt sienna, and titanium white, adding small amounts of red for warmth and blue for shadows. Create the gold tones by mixing yellow ochre with burnt sienna and a touch of black for shading.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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