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home·artworks·PORTRAIT OF PRINCE ALEXEI GOLITSYN WITH HIS DOG, SEATED IN A WOODED LANDSCAPE
PORTRAIT OF PRINCE ALEXEI GOLITSYN WITH HIS DOG, SEATED IN A WOODED LANDSCAPE by Joseph Kreutzinger

plate no. 0105

PORTRAIT OF PRINCE ALEXEI GOLITSYN WITH HIS DOG, SEATED IN A WOODED LANDSCAPE

Joseph Kreutzinger

oilNeoclassicismportraitportraitfiguredoglandscapetreesclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for creating soft transitions and realistic skin tones. It also provides practice in rendering textures of clothing and fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements like the dog and the background trees.

  2. step 02

    Block in the main shapes and colors, starting with the background and then moving to the figure and dog.

  3. step 03

    Begin refining the details of the face, paying close attention to the highlights and shadows to create form.

  4. step 04

    Work on the clothing, using layering and blending techniques to create the folds and textures.

  5. step 05

    Paint the dog, focusing on capturing its unique features and fur texture.

  6. step 06

    Add details to the background, such as the leaves and branches of the trees.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · cadmium red · yellow ochre · ultramarine blue

secondary · burnt umber · ivory black · sap green

Mix various shades of skin tones using titanium white, cadmium red, yellow ochre, and a touch of ultramarine blue. Create the red coat by mixing cadmium red with a touch of burnt umber for darker shades and titanium white for highlights. Greens are created by mixing yellow ochre and ultramarine blue with varying amounts of white.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overblending, resulting in a lack of texture.
  • →Getting the skin tones wrong, resulting in an unnatural appearance.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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