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home·artworks·Portrait of Philippe Jacques Knoderer
Portrait of Philippe Jacques Knoderer by Marie-Gabrielle Capet

plate no. 5533

Portrait of Philippe Jacques Knoderer

Marie-Gabrielle Capet

pastelNeoclassicismportraitportraitfiguremanclothingscarfhair
some experience helpful

Recreating this portrait will help students develop skills in color mixing for skin tones and rendering fabric folds and textures. It also provides practice in capturing likeness and creating a sense of depth through subtle shading.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose.

  2. step 02

    Block in the background with a light blue pastel, blending smoothly.

  3. step 03

    Establish the basic shapes and values of the face, using light pinks, browns, and creams.

  4. step 04

    Develop the details of the eyes, nose, and mouth, paying attention to subtle variations in color and value.

  5. step 05

    Block in the coat with a medium brown pastel, adding darker shadows and lighter highlights to create form.

  6. step 06

    Render the scarf with white, yellow, and blue pastels, capturing the folds and textures of the fabric.

  7. step 07

    Add details to the hair, using dark brown and black pastels to create volume and texture.

  8. step 08

    Refine the overall composition, adjusting values and adding details as needed.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · ivory black · light pink · cream

Skin tones are achieved by mixing white with small amounts of raw umber, burnt sienna, and light pink. The coat is a mix of raw umber and burnt sienna, lightened with white for highlights. The background is primarily ultramarine blue lightened with white.

techniques

  • ·blending
  • ·layering
  • ·hatching
  • ·scumbling
  • ·value control

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions, leading to an inaccurate likeness.
  • →Ignoring subtle variations in color and value, resulting in a lack of depth.
  • →Using too much pressure when applying pastel, resulting in a muddy appearance.

materials

surface · pastel paper (toned)

required

  • ·pastel set (soft pastels)
  • ·pastel pencils
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·ruler
  • ·soft cloths

optional

  • ·palette knife
  • ·workable fixative
  • ·drawing board
  • ·easel

Choose a pastel paper with a slightly rough texture to grip the pastel. A toned paper will make it easier to establish values.

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