apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait Of Philip Tisdall With His Wife And Family
Portrait Of Philip Tisdall With His Wife And Family by Angelica Kauffman

plate no. 8097

Portrait Of Philip Tisdall With His Wife And Family

Angelica Kauffman

oil, canvasNeoclassicismportraitfiguresportraitlandscapetreesstatueclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding complex figure compositions and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and landscape.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the figures, paying attention to anatomical accuracy and facial features.

  4. step 04

    Develop the drapery, using highlights and shadows to create a sense of volume and form.

  5. step 05

    Paint the background landscape, focusing on creating depth and atmosphere.

  6. step 06

    Add details to the figures, such as jewelry, hair, and facial expressions.

  7. step 07

    Refine the overall composition and adjust values as needed.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of browns and grays by combining raw umber, burnt sienna, ivory black, and titanium white. Use cadmium red light to create pinks and flesh tones, mixing with white and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of figures
  • →Overblending skin tones
  • →Failing to create depth in the landscape
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs