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home·artworks·Portrait of Pavel A. Stroganov
Portrait of Pavel A. Stroganov by George Dawe

plate no. 9544

Portrait of Pavel A. Stroganov

George Dawe, 1825

oilNeoclassicismportraitportraitfiguremilitary uniformlandscapeskymedals
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of facial features, as well as the ability to depict complex textures and details in clothing and ornamentation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main areas of color, starting with the background and then the skin tones.

  3. step 03

    Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.

  4. step 04

    Develop the details of the military uniform, including the gold braid, medals, and buttons.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Refine the background, adding subtle variations in color and tone.

  7. step 07

    Add final details and adjustments to the overall composition.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ivory black · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix skin tones using yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. Use ivory black and ultramarine blue to create the dark tones of the uniform. Mix gold tones using yellow ochre, raw sienna, and a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering of textures

common pitfalls

  • →Inaccurate proportions of the facial features.
  • →Overworking the details of the uniform, resulting in a stiff or unnatural appearance.
  • →Failing to create sufficient depth and dimension in the painting.
  • →Inconsistent brushstrokes or color mixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue, raw sienna)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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