apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Pauline Bonaparte princess Borghese
Portrait of Pauline Bonaparte princess Borghese by Marie-Guillemine Benoist

plate no. 3929

Portrait of Pauline Bonaparte princess Borghese

Marie-Guillemine Benoist

oilNeoclassicismportraitportraitfiguredresschairinteriorcurtain
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures. It also provides practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the chair and background elements.

  2. step 02

    Block in the main areas of color, starting with the background and the chair.

  3. step 03

    Begin to develop the form of the figure, paying attention to the light and shadow on the face and dress.

  4. step 04

    Add the details of the dress, including the gold embroidery and the folds of the fabric.

  5. step 05

    Refine the features of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add the jewelry and other accessories.

  7. step 07

    Adjust the overall color and value of the painting to create a sense of harmony.

  8. step 08

    Add final details and highlights.

color palette

primary · red · white · gold · green

secondary · blue · brown · grey

Achieve the gold tones by mixing yellow ochre, burnt sienna, and a touch of white. The skin tones are achieved by mixing white, yellow ochre, and a touch of red and burnt umber.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details of the dress.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: titanium white, yellow ochre, burnt sienna, cadmium red, ultramarine blue, viridian green, ivory black
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs