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home·artworks·Portrait of Paul Ranson Dressed as a Prophet
Portrait of Paul Ranson Dressed as a Prophet by Paul Serusier

plate no. 9653

Portrait of Paul Ranson Dressed as a Prophet

Paul Serusier, 1890

oil, canvasCloisonnismportraitportraitfigurebookstaffclothingorange background
some experience helpful

Recreating this painting will help students practice portraiture, color mixing for skin tones, and capturing textures with visible brushstrokes. Students will also learn about simplifying forms and using color to create a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, book, and staff.

  2. step 02

    Block in the large areas of color, starting with the background and then the figure's clothing.

  3. step 03

    Mix and apply the skin tones, paying attention to the subtle variations in color.

  4. step 04

    Add the details of the face, including the eyes, nose, mouth, and facial hair.

  5. step 05

    Paint the book and staff, using short, visible brushstrokes to create texture.

  6. step 06

    Refine the colors and values, adding highlights and shadows to create depth.

  7. step 07

    Add the details of the clothing and jewelry.

  8. step 08

    Make final adjustments to the composition and colors.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · orange · cadmium yellow · raw umber

Skin tones can be achieved by mixing burnt sienna, yellow ochre, and titanium white. The blue clothing can be created by mixing ultramarine blue with white, and the orange background by mixing red and yellow.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·color mixing
  • ·visible brushstrokes
  • ·layering

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Getting the proportions of the figure wrong.
  • →Not paying attention to the subtle variations in color.
  • →Making the brushstrokes too uniform.
  • →Ignoring the importance of highlights and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, ultramarine blue, burnt sienna, titanium white, orange, cadmium yellow, raw umber)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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