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home·artworks·Portrait of painter Constantin Lecca
Portrait of painter Constantin Lecca by Gheorghe Tattarescu

plate no. 4860

Portrait of painter Constantin Lecca

Gheorghe Tattarescu

oilNeoclassicismportraitportraitfiguremanbeardoval frameface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value transitions, and rendering realistic skin tones and facial hair. Students will also learn about creating a sense of depth and form through careful observation and layering of paint.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval frame and the basic proportions of the face, paying attention to the placement of features.

  2. step 02

    Block in the main areas of color: skin tones, hair, beard, background, and clothing.

  3. step 03

    Begin to refine the skin tones, using subtle value changes to create form and dimension.

  4. step 04

    Work on the hair and beard, adding details and texture with small brushstrokes.

  5. step 05

    Refine the eyes and other facial features, paying close attention to detail.

  6. step 06

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  7. step 07

    Add final details, such as highlights and shadows, to enhance the realism of the portrait.

  8. step 08

    Glaze the painting with thin layers of color to unify the tones and create a sense of depth.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, raw umber, burnt sienna, and a touch of red. Use ultramarine blue and ivory black to create the dark tones in the clothing and background. Mix white with a touch of raw umber and yellow ochre for the lighter tones in the beard and hair.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Incorrect proportions of facial features
  • →Overly harsh value contrasts
  • →Muddy or dull skin tones
  • →Lack of attention to detail in the hair and beard

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#4 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a smooth canvas for best results. Consider using a medium to thin the paint for glazing.

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oil painting for beginners →how to learn by studying the masters →
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