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home·artworks·Portrait of Nikolai M. Borozdin
Portrait of Nikolai M. Borozdin by George Dawe

plate no. 7312

Portrait of Nikolai M. Borozdin

George Dawe, 1825

oilNeoclassicismportraitportraitfiguremilitaryuniformgoldmedals
experienced study

Recreating this portrait would help students develop skills in portraiture, including accurate proportions, rendering skin tones, and depicting complex textures like fabric and metal. It also offers practice in capturing likeness and conveying character through facial expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm brown underpainting.

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  3. step 03

    Block in the main areas of color: skin tones, background, uniform, and gold details.

  4. step 04

    Begin refining the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the uniform, including the folds, buttons, and medals.

  6. step 06

    Add highlights to the gold details to create a sense of shine and texture.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final details and adjust values to create a cohesive and realistic portrait.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Skin tones are achieved by mixing yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. The uniform is a mix of ivory black and ultramarine blue. Gold is achieved by layering raw sienna, yellow ochre, and touches of cadmium red, highlighted with titanium white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering metal

common pitfalls

  • →Inaccurate proportions can ruin the likeness.
  • →Overworking the details can make the painting look stiff.
  • →Incorrect color mixing can result in unnatural skin tones.
  • →Ignoring the subtle shifts in value can flatten the form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt umber, ivory black, titanium white, cadmium red, ultramarine blue, raw sienna)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

A pre-toned canvas with a warm brown underpainting will help to create a sense of depth and atmosphere.

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oil painting for beginners →how to learn by studying the masters →
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