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home·artworks·Portrait of Nenna Janson Nagel, b. Backer Lunde
Portrait of Nenna Janson Nagel, b. Backer Lunde by Harriet Backer

plate no. 0791

Portrait of Nenna Janson Nagel, b. Backer Lunde

Harriet Backer, 1892

oil, canvasNaturalismportraitportraitfigurewomanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and using a limited palette to create depth and form. It also provides practice in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: skin tones, clothing, and background.

  4. step 04

    Refine the skin tones by layering and blending subtle color variations.

  5. step 05

    Develop the details of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add highlights and shadows to create depth and dimension in the clothing.

  7. step 07

    Use loose brushstrokes to suggest the texture of the hair.

  8. step 08

    Adjust the overall composition and add final details.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red light

Mix skin tones using white, burnt umber, yellow ochre, and a touch of red. Create the blue of the dress by mixing ultramarine blue with burnt umber for darker shades and white for lighter shades.

techniques

  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·limited palette
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Getting the proportions of the face wrong.
  • →Using too much color and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, titanium white, ultramarine blue, yellow ochre, cadmium red light)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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