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home·artworks·Portrait of Napoléon Bonaparte, The First Council
Portrait of Napoléon Bonaparte, The First Council by Jean Auguste Dominique Ingres

plate no. 5554

Portrait of Napoléon Bonaparte, The First Council

Jean Auguste Dominique Ingres, 1804

oil, canvasNeoclassicismportraitfigureportraitbuildinginteriortablecurtains
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on accurate proportions and the overall composition.

  2. step 02

    Block in the main shapes and colors, starting with the background and larger areas.

  3. step 03

    Develop the figure of Napoleon, paying close attention to the facial features and the folds of his clothing.

  4. step 04

    Add details to the table, chair, and other elements in the scene.

  5. step 05

    Refine the lighting and shadows to create depth and dimension.

  6. step 06

    Work on the details of the face, hands, and clothing, adding highlights and shadows to create a sense of realism.

  7. step 07

    Add the final details, such as the embroidery on the clothing and the texture of the fabric.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · cadmium red · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · raw umber

Achieve the red of Napoleon's uniform by mixing cadmium red with a touch of yellow ochre and titanium white for highlights, and ivory black for shadows. The green background is achieved by mixing ultramarine blue, yellow ochre and ivory black.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Difficulty capturing the likeness of the subject.
  • →Overworking the details before establishing the overall composition.
  • →Uneven blending of colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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