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home·artworks·Portrait of Mrs. George Turner
Portrait of Mrs. George Turner by John Singleton Copley

plate no. 4850

Portrait of Mrs. George Turner

John Singleton Copley, 1767

pastelNeoclassicismportraitportraitfiguredressjewelryskyclouds
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and capturing likeness, as well as practicing soft blending techniques for a smooth finish.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall color scheme by laying down broad, light washes of color for the background and skin tones.

  3. step 03

    Begin building up the skin tones with layers of pastel, blending carefully to create smooth transitions.

  4. step 04

    Define the features of the face, paying close attention to the highlights and shadows.

  5. step 05

    Add details to the dress and jewelry, using darker values to create depth and dimension.

  6. step 06

    Refine the background, adding subtle variations in color and tone to create a sense of atmosphere.

  7. step 07

    Add final highlights and details to the face and clothing to bring the portrait to life.

  8. step 08

    Blend and soften edges as needed to achieve a polished look.

color palette

primary · sky blue · titanium white · rose madder

secondary · ultramarine blue · yellow ochre · ivory black

Mix rose madder and white for the skin tones, adding small amounts of yellow ochre for warmth. Use ultramarine blue and white for the sky, and mix ultramarine with black for the jewelry.

techniques

  • ·soft blending
  • ·layering
  • ·color mixing
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →over-blending, resulting in a muddy appearance
  • →getting the proportions of the face wrong
  • →using colors that are too saturated
  • →lack of contrast

materials

surface · pastel paper

required

  • ·pastel set
  • ·pastel paper
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·soft brushes
  • ·drawing board

optional

  • ·palette knife
  • ·easel
  • ·reference photo print

Use a high-quality pastel paper with a slightly textured surface to hold the pastel pigments. Work in a well-ventilated area and use fixative spray sparingly to avoid darkening the colors.

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