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home·artworks·Portrait of Mr. Cooper Penrose
Portrait of Mr. Cooper Penrose by Jacques-Louis David

plate no. 5772

Portrait of Mr. Cooper Penrose

Jacques-Louis David, 1802

oil, canvasNeoclassicismportraitportraitfiguremanchairclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of light and shadow on the face. It also provides practice in mixing subtle color variations to create realistic skin tones and fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and chair.

  2. step 02

    Block in the main areas of color: background, clothing, skin tones, and chair.

  3. step 03

    Focus on the face, carefully building up layers of color to create realistic skin tones and subtle variations in light and shadow.

  4. step 04

    Refine the details of the clothing, paying attention to the folds and textures of the fabric.

  5. step 05

    Add details to the chair, including the wood grain and upholstery.

  6. step 06

    Work on the background, blending the colors to create a smooth and even tone.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Achieve the dark clothing by mixing black with a touch of blue or umber. The background is a blend of umber, black, and white.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Creating muddy or dull colors by overmixing.
  • →Failing to create a convincing sense of depth and realism.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, titanium white, raw umber, cadmium red light, yellow ochre, burnt sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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