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home·artworks·Portrait of Michel-Jean Sedaine
Portrait of Michel-Jean Sedaine by Jacques-Louis David

plate no. 2830

Portrait of Michel-Jean Sedaine

Jacques-Louis David, 1772

oil, canvasNeoclassicismportraitportraitfiguremanclothinghairoval
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value transitions, and capturing likeness. It also provides practice in rendering fabric and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval and the figure's basic proportions, paying attention to the placement of features.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with mid-tones.

  4. step 04

    Begin to refine the facial features, focusing on accurate placement and subtle value changes to create form.

  5. step 05

    Develop the hair with layers of light and dark tones to create volume and texture.

  6. step 06

    Work on the clothing, paying attention to the folds and highlights to create a sense of depth.

  7. step 07

    Add details such as the buttons and the highlights on the face and hair.

  8. step 08

    Refine edges and blend transitions to create a smooth, polished finish.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · cadmium yellow light · alizarin crimson

Mix various shades of gray and brown by combining ivory black, titanium white, raw umber, and burnt sienna. Add small amounts of cadmium yellow light and alizarin crimson to create subtle skin tones.

techniques

  • ·portraiture
  • ·blending
  • ·value study
  • ·layering
  • ·glazing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh value contrasts, resulting in a lack of subtlety.
  • →Muddy colors due to over-mixing.
  • →Neglecting the importance of soft edges and smooth transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, titanium white, raw umber, burnt sienna, cadmium yellow light, alizarin crimson)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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