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home·artworks·Portrait of Maria Carolina of Austria
Portrait of Maria Carolina of Austria by Angelica Kauffman

plate no. 9347

Portrait of Maria Carolina of Austria

Angelica Kauffman, 1782

oilNeoclassicismportraitportraitfiguredressred draperyhairjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for creating soft transitions in skin tones and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Block in the background with broad strokes of red and brown, establishing the overall tone.

  3. step 03

    Establish the light and shadow on the face, using thin layers of paint and careful blending.

  4. step 04

    Begin to define the details of the dress, paying attention to the folds and highlights.

  5. step 05

    Add the details of the jewelry and hair, using smaller brushes and precise strokes.

  6. step 06

    Refine the background and add any final details to the figure.

  7. step 07

    Glaze to unify the painting and adjust the colors as needed.

  8. step 08

    Add final highlights and shadows to enhance the form.

color palette

primary · titanium white · cadmium red · yellow ochre · ivory black

secondary · ultramarine blue · burnt umber

Mix various shades of white with small amounts of yellow ochre, cadmium red, and ivory black to create realistic skin tones. Use burnt umber and cadmium red for the drapery, adjusting the mixture for highlights and shadows.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure
  • →Muddy skin tones due to over-blending
  • →Flat or lifeless drapery
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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