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home·artworks·Portrait of Madame Recamier
Portrait of Madame Recamier by François Gérard

plate no. 5947

Portrait of Madame Recamier

François Gérard, 1805

oil, canvasNeoclassicismportraitfigureportraitcolumnsdraperyarchitecturelandscape
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering realistic drapery and architectural elements.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, focusing on accurate proportions and placement of the figure and architectural elements.

  2. step 02

    Block in the main shapes and colors, establishing the overall composition and value structure.

  3. step 03

    Begin refining the figure, paying close attention to the anatomy and subtle transitions in skin tone.

  4. step 04

    Develop the drapery, capturing the folds and highlights with careful observation.

  5. step 05

    Render the architectural details, including the columns, archway, and background landscape.

  6. step 06

    Add details to the face, hair, and hands, capturing the likeness and expression of the subject.

  7. step 07

    Refine the lighting and shadows, creating depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium yellow · alizarin crimson · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create neutral grays for shadows and architectural elements. Mix cadmium yellow with a touch of burnt umber for the golden drapery.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Inaccurate proportions of the figure
  • →Overly harsh or muddy skin tones
  • →Flat or lifeless drapery
  • →Lack of depth and dimension
  • →Poor likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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