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home·artworks·Portrait of Madame Moitessier Sitting
Portrait of Madame Moitessier Sitting by Jean Auguste Dominique Ingres

plate no. 5823

Portrait of Madame Moitessier Sitting

Jean Auguste Dominique Ingres, 1856

oil, canvasNeoclassicismportraitportraitfiguredresschairmirrorinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone blending, and rendering complex fabric patterns. It also offers practice in depicting reflective surfaces and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main elements of the composition.

  2. step 02

    Block in the background with broad strokes, focusing on the overall value and color.

  3. step 03

    Establish the basic skin tones and begin to refine the facial features.

  4. step 04

    Start working on the dress, focusing on capturing the overall pattern and folds.

  5. step 05

    Add details to the dress, including the flowers, ribbons, and fringe.

  6. step 06

    Paint the chair and other surrounding objects, paying attention to their textures and colors.

  7. step 07

    Refine the details of the face, hands, and jewelry.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · ultramarine blue · burnt umber · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the dress pattern by mixing white with blues, reds, and yellows to create the floral designs.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·blending
  • ·detail work

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the subtle variations in skin tone.
  • →Overworking the details of the dress, resulting in a flat or lifeless appearance.
  • →Ignoring the importance of light and shadow in creating a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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