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home·artworks·Portrait of Madame Faber
Portrait of Madame Faber by François-Joseph Navez

plate no. 8293

Portrait of Madame Faber

François-Joseph Navez, 1816

oilNeoclassicismportraitportraitwomandressshawlheadbandchair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, paying attention to proportions and placement of the figure.

  2. step 02

    Block in the main shapes and colors of the background, dress, and skin tones.

  3. step 03

    Refine the skin tones, focusing on subtle variations in color and value to create a realistic effect.

  4. step 04

    Add details to the face, including the eyes, nose, and mouth, paying close attention to their shapes and placement.

  5. step 05

    Paint the dress and shawl, capturing the folds and textures of the fabric.

  6. step 06

    Add details to the hair and headband, using small brushstrokes to create a sense of texture.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a harmonious effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · viridian green · ivory black

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red and burnt umber. Use ultramarine blue and burnt umber to create the darker tones in the dress. Mix viridian green and yellow ochre for the shawl.

techniques

  • ·portrait drawing
  • ·color mixing
  • ·glazing
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the facial features.
  • →Flat or lifeless rendering of the fabric.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ultramarine blue, burnt umber, yellow ochre, cadmium red, viridian green, ivory black)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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oil painting for beginners →how to learn by studying the masters →
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