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home·artworks·Portrait of Louise Henrietta Campbell
Portrait of Louise Henrietta Campbell by Angelica Kauffman

plate no. 7934

Portrait of Louise Henrietta Campbell

Angelica Kauffman

oil, canvasNeoclassicismportraitfigureportraitdressinteriorcolumnurn
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds and textures. It also offers practice in creating a sense of depth and atmosphere through subtle color variations and soft edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, chair, and background elements.

  2. step 02

    Establish the background with thin washes of brown and umber, paying attention to the subtle variations in tone.

  3. step 03

    Block in the main colors of the figure's dress, shawl, and skin tones, focusing on large areas of color.

  4. step 04

    Begin to refine the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the folds and textures of the dress and shawl, using highlights and shadows to create a sense of volume.

  6. step 06

    Add details to the chair, column, and urn, including the decorative elements and floral arrangement.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced image.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · sap green · gold

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the dress's off-white color by mixing white with a small amount of umber and yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red, yellow ochre, sap green)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a burnt umber wash can help establish a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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