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home·artworks·Lollichon Field
Lollichon Field by Paul Gauguin

plate no. 2559

Lollichon Field

Paul Gauguin, 1886

oil, canvasPost-Impressionismlandscapelandscapebuildingstreesfiguregrasswall
some experience helpful

Recreating this painting will help students develop skills in layering colors with visible brushstrokes and creating depth through color variation and atmospheric perspective. It also provides practice in depicting natural textures like grass, foliage, and stone.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and wall, establishing the composition.

  2. step 02

    Block in the main color areas for the sky, grass, buildings, and trees using thin washes.

  3. step 03

    Begin layering colors on the buildings, focusing on capturing the variations in tone and texture with short, visible brushstrokes.

  4. step 04

    Develop the foliage of the trees, using a variety of greens, browns, and yellows to create depth and texture.

  5. step 05

    Paint the grass, using broken color and varying shades of green to suggest the uneven surface.

  6. step 06

    Add details to the stone wall, paying attention to the light and shadow on the individual stones.

  7. step 07

    Paint the figures in the foreground, simplifying the forms and focusing on capturing the overall shape and color.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · viridian green · burnt sienna · ultramarine blue

secondary · cadmium yellow · alizarin crimson · raw umber

Mix greens by combining viridian green with cadmium yellow and yellow ochre. Achieve the earthy tones of the buildings by mixing burnt sienna with yellow ochre and a touch of ultramarine blue.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Neglecting the importance of color variation in creating depth and texture.
  • →Making the brushstrokes too uniform, which can flatten the image.
  • →Ignoring the subtle shifts in value that define the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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