
plate no. 7330
Serge Sudeikin, 1932
This painting offers a good opportunity to practice portraiture basics and understanding light and shadow to create form. Students can focus on capturing the likeness and the subtle color variations in skin tones.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.
Block in the main areas of light and shadow using thin washes of color.
Begin refining the shapes of the facial features, paying close attention to the angles and curves.
Mix and apply the base skin tone, then add highlights and shadows to create depth and volume.
Paint the hair, using short, directional brushstrokes to suggest texture and form.
Add details to the eyes, nose, and mouth, capturing the subtle nuances of expression.
Paint the shirt, using a similar approach to the skin tones, focusing on the folds and shadows.
Refine the background and make any necessary adjustments to the overall composition.
color palette
primary · titanium white · raw umber · yellow ochre
secondary · cadmium red light · ultramarine blue · ivory black
Mix skin tones by blending white, yellow ochre, and a touch of red and umber. Use ultramarine and umber for cool shadows. Add a touch of red to the lips and cheeks.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.
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