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home·artworks·Portrait of Lady Mary Fox, Later Baroness Holland
Portrait of Lady Mary Fox, Later Baroness Holland by Pompeo Batoni

plate no. 1491

Portrait of Lady Mary Fox, Later Baroness Holland

Pompeo Batoni, 1767

oilNeoclassicismportraitportraitfiguredogcurtaindresscolumn
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle color variations and soft blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, dog, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the dress, focusing on the folds, ruffles, and ribbons.

  5. step 05

    Paint the dog, capturing its form and texture with short, broken brushstrokes.

  6. step 06

    Add details to the background, including the curtain and column.

  7. step 07

    Refine the details and edges throughout the painting, ensuring a harmonious and balanced composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · titanium white · burnt umber · cadmium red light

secondary · yellow ochre · ivory black

Mix various shades of gray by combining ultramarine blue, burnt umber, and titanium white. Achieve skin tones by blending cadmium red light, yellow ochre, titanium white, and a touch of burnt umber. Use ivory black to darken colors and create shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·soft blending
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy or dull colors by overmixing.
  • →Failing to capture the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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