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home·artworks·Portrait of John Ker, 3rd Duke of Roxburghe
Portrait of John Ker, 3rd Duke of Roxburghe by Pompeo Batoni

plate no. 2081

Portrait of John Ker, 3rd Duke of Roxburghe

Pompeo Batoni, 1761

oil, canvasNeoclassicismportraitportraitfigureclothingfurnituredraperyinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice in depicting complex textures and fabrics with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with broad, blended strokes, creating depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure and clothing with simplified color masses.

  4. step 04

    Refine the facial features, paying close attention to light and shadow to create form.

  5. step 05

    Develop the details of the clothing, including the fur trim, embroidery, and folds of the fabric.

  6. step 06

    Add highlights and shadows to the furniture and other objects to create a sense of realism.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a cohesive image.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · cadmium red · ivory black · yellow ochre · titanium white

secondary · burnt umber · ultramarine blue · gold

Achieve skin tones by mixing yellow ochre, cadmium red, ivory black, and titanium white. Create the red fabric by mixing cadmium red with a touch of burnt umber for shadows and titanium white for highlights. Mix gold with yellow ochre, burnt umber and a touch of cadmium red.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overworking the details before establishing the overall composition.
  • →Using colors that are too saturated or unrealistic.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (cadmium red, ivory black, yellow ochre, titanium white, burnt umber, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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