apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Johann Heinrich Füssli
Portrait of Johann Heinrich Füssli by John Flaxman

plate no. 4905

Portrait of Johann Heinrich Füssli

John Flaxman

oilNeoclassicismportraitportraitbustmale figureprofilehairneoclassical
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and understanding the structure of the human head. It also provides practice in depicting textures like hair and stone.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall oval shape and the basic proportions of the head.

  2. step 02

    Refine the sketch, paying close attention to the angles and curves of the profile.

  3. step 03

    Block in the darkest shadows to establish the value range.

  4. step 04

    Gradually build up the mid-tones, blending carefully to create smooth transitions.

  5. step 05

    Add highlights to define the form and create a sense of depth.

  6. step 06

    Focus on the details of the hair, using small brushstrokes to suggest individual strands.

  7. step 07

    Add texture to the surface of the bust to simulate the look of stone.

  8. step 08

    Make final adjustments to the values and details to achieve a realistic effect.

color palette

primary · titanium white · ivory black · raw umber

secondary · yellow ochre

Mix varying degrees of white and black to create a range of grays. Add small amounts of raw umber or yellow ochre to warm the grays and create subtle color variations.

techniques

  • ·value study
  • ·blending
  • ·rendering
  • ·hatching
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value range.
  • →Creating harsh lines instead of smooth transitions.
  • →Ignoring the subtle color variations in the stone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·varnish

A smooth canvas will be easier to blend on. Consider using a toned canvas for easier value judgment.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs